Siouxsie & the Banshees : Il est né le divine enfant









- "It was the summer of 'seventy-six, back when I first started working for Vinnie. The summer of the bicentennial. A kid came in one morning and started stealing things from the store. He's standing by the rack of paperbacks near the front window stuffing skin magazines under his shirt. It was crowded around the counter just then, so I didn't see him at first.... But once I noticed what he was up to, I started to shout. He took off like a jackrabbit, and by the time I managed to get out from behind the counter, he was already tearing down Seventh Avenue. I chased after him for about half a block, and then I gave up. He'd dropped something along the way, and since I didn't feel like running anymore, I bent down to see what it was. It turned out to be his wallet. There wasn't any money inside, but his driver's license was there, along with three or four snapshots. I suppose I could have called the cops and had him arrested. I had his name and address from the license, but I felt kind of sorry for him. He was just a measly little punk, and once I looked at those pictures in his wallet, I couldn't bring myself to feel very angry at him... Roger Goodwin. That was his name. In one of the pictures, I remember, he was standing next to his mother. In another one, he was holding some trophy he got from school and smiling like he just won the Irish Sweepstakes. I just didn't have the heart. A poor kid from Brooklyn without much going for him, and who cared about a couple of dirty magazines, anyway ?
- And ?
- So I held onto the wallet. Every once in a while I'd get a little urge to send it back to him, but I kept delaying and never did anything about it. Then Christmas rolls around, and I'm stuck with nothing to do. Vinnie was going to invite me over, but his mother got sick, and he and his wife had to go down to Florida at the last minute. So I'm sitting in my apartment that morning, feeling a little sorry for myself, and then I see Roger Goodwin's wallet lying on a shelf in the kitchen. I figure what the hell, why not do something nice for once, and I put on my coat and go out to return the wallet... The address was over in Boerum Hill, somewhere in the projects. It was freezing out that day, and I remember getting lost a few times trying to find the right building. Everything looks the same in that place, and you keep going over the same ground thinking you're somewhere else. Anyway, I finally get to the apartment I'm looking for and ring the bell... Nothing happens. I assume no one's there, but I try again just to make sure. I wait a little longer, and just when I'm about to give up, I hear someone shuffling to the door. An old woman's voice asks, "Who's there ?" and I say I'm looking for Roger Goodwin. "Is that you, Roger ?" the old woman says, and then she undoes about fifteen locks and opens the door... She has to be at least eighty, maybe ninety years old, and the first thing I notice about her is she's blind. "I knew you'd come. Roger," she says. "I knew you wouldn't forget your Granny Ethel on Christmas." And then she opens her arms as if she's about to hug me.I don't have much time to think, you understand. I had to say something real fast, and before I knew what was happening, I could hear the words coming out of my mouth. "That's right, Granny Ethel," I said. "I came back to see you on Christmas." Don't ask me why I did it. I don't have any idea. It just came out that way, and suddenly this old woman's hugging me there in front of the door, and I'm hugging her back. It was like a game we both decided to play - without having to discuss the rules. I mean, that woman knew I wasn't her grandson. She was old and dotty, but she wasn't so far gone that she couldn't tell the difference between a stranger and her own flesh and blood. But it made her happy to pretend, and since I had nothing better to do anyway, I was happy to go along with her...So we went into the apartment and spent the day together. Every time she asked me a question about how I was, I would lie to her. I told her I'd found a good job in a cigar store. I told her I was about to get married. I told her a hundred pretty stories, and she made like she believed every one of them. "That's fine, Roger," she would say, nodding her head and smiling. "I always knew things would work out for you...." After a while, I started getting hungry. There didn't seem to be much food in the house, so I went out to a store in the neighborhood and brought back a mess of stuff. A precooked chicken, vegetable soup, a bucket of potato salad, all kinds of things. Ethel had a couple of bottles of wine stashed in her bedroom, and so between us we managed to put together a fairly decent Christmas dinner... We both got a little tipsy from the wine, I remember, and after the meal was over we went out to sit in the living room where the chairs were more comfortable... I had to take a pee, so I excused myself and went to the bathroom down the hall. That's where things took another turn. It was ditsy enough doing my little jig as Ethel's grandson, but what I did next was positively crazy, and I've never forgiven myself for it... I go into the bathroom, and stacked up against the wall next to the shower, I see a pile of six or seven cameras. Brand-new, thirty-five millimeter cameras, still in their boxes. I figure this is the work of the real Roger, a storage place for one of his recent hauls. I've never taken a picture in my life, and I've certainly never stolen anything, but the moment I see those cameras sitting in the bathroom, I decide I want one of them for myself. Just like that. And without even stopping to think about it, I tuck one of the boxes under my arm and go back to the living room... I couldn't have been gone for more than three minutes, but in that time Granny Ethel had fallen asleep. Too much Chianti, I suppose. I went into the kitchen to wash the dishes, and she slept on through the whole racket, snoring like a baby. There didn't seem to be any point in disturbing her, so I decided to leave. I couldn't even write a note to say good-bye, seeing that she was blind and all, so I just left. I put her grandson's wallet on the table, picked up the camera again, and walked out of the apartment... And that's the end of the story.
- Did you ever go back to see her ?

- Once, about three or four months later. I felt so bad about stealing the camera, I hadn't even used it yet. I finally made up my mind to return it, but Granny Ethel wasn't there anymore. Someone else had moved into the apartment, and he couldn't tell me where she was.

- She probably died.

- Yeah, probably.

- Which means that she spent her last Christmas with you.
- I guess so. I never thought of it that way.
- It was a good deed, Auggie. It was a nice thing you did for her.
- I lied to her, and then I stole from her. I don't see how you can call that a good deed.

- You made her happy. And the camera was stolen anyway. It's not as if the person you took it from really owned it.

- Anything for art, eh, Paul ?
- I wouldn't say that. But at least you've put the camera to good use.
- And now you've got your Christmas story, don't you ?
- Yes, I suppose I do.
- Bullshit is a real talent, Auggie. To make up a good story, a person has to know how to push all the right buttons.

- I'd say you're up there among the masters.
-
What do you mean ?
- I mean, it's a good story.
- Shit. If you can't share your secrets with your friends, what kind of friend are you ?
- Exactly. Life just wouldn't be worth living, would it ?"







La réponse est oui



















3 commentaires:

Dazibao a dit…

Quel à-propos. Paul Auster est parfait pour un conte de noël...

H. Incorporated a dit…

Que dire, qu'écrire un jour comme aujourd'hui ? Il y avait - lui...

[Pourtant]

Je n'ai - jamais lu.
Je ne connais que par le biais de ce film [dont je n'ai vu que des rubans de la suite, Brooklin Boogie] vu il y a longtemps, revu il y a peu...

[Peut-être]

Un jour.

[Peut-être]

Que ça me plairait.

[D'après le peu que, ce j'en sais même que]

C'est pas trop une murenne au niveau du niveau de son being.

[Et]

C.e.t.t.e. histoire...
C.e.t.t.e.h.i.s.t.o.i.r.e. est...
C.e.t.t.e.h.i.s.t.o.i.r.e.e.s.t.

Bonne soirée.

[Quelle que soit - ou quelque soit : j'ai jamais vraiment su - la manière dont tu l'as rempliras]

H. Incorporated a dit…

[I mean...]

La rempliras.

[Je savais qu'à faire mes idioties je finirais bien par perdre atomiquement l'usage du français]

"Who's gonna save my soul now ?
How will my story ever be told now ?"